When I was starting I practiced doing figures of eight with the wheels and progressed to signing my name with them. “Operating the wheels needs to become second nature as it can be a disaster if the technique of operating distracts from the relationship that an operator has with the subject. He’s such a capable artist who, at the core of it, is OK with releasing his “art” into the public - shortcomings and all. It is this combination of attitudes that makes Deakins a voice of reason in cinematography circles. He’s also quick to point out that his job is ultimately to serve the director and that the “art” of cinematography is meaningless when it doesn’t benefit the director’s vision. Deakins is aware of this and, while striving for artistic relevance in his films, acknowledges that he sometimes needs to get out of the way and avoid favoring perfectionism over the realistic obstacles of a shoot. Roger Deakins on the Art of CinematographyĬinematography is a strange blend of creative art and practical resourcefulness. Instead, it’s best we just get to the point: 25 pieces of filmmaking advice from Roger Deakins himself, pulled from his website where he interacts with fans and filmmakers on all topics from careers to cinematography basics. No - Roger Deakins needs very little introduction as a master of cinematography. Surely you already know him as the talented cinematographer behind films like The Shawshank Redemption, A Beautiful Mind, and almost every Coen Brothers film since Fargo.Īnd by now, as a fan of filmmaking and a filmmaker, you’ve discovered that when Deakins talks, what comes out is a treasure trove of wisdom - only overshadowed by answers so candid and honest that his responses are more engaging than many movies themselves. Is it really worth my time to give Roger Deakins an introduction?
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